"Somewhere Out There," the maudlin theme song to Disney's animated An American Tail,
is audio torture. It's not just Linda Ronstadt and James Ingram's warbling. It's
the heavy-handed longing -- important to the song -- that is betrayed by bogus lyrics
like "And even though I know how very far apart we are / It helps to think we might
be wishing on the same bright star."
Patricia Riggen's Under the Same Moon takes the song's phony concept even further. It
swipes the faux sentimentality of "Somewhere" and duct tapes it to our nation's very
real border-crossing dilemma. It pretends to address a serious issue but ends up
degrading an entire race.
The sad sacks sleeping under Riggen's moon are nine-year-old Carlos (Adrian Alonso)
and his beloved mother, Rosario (Kate del Castillo). She's an illegal immigrant cleaning
houses in Los Angeles. He's a virtual orphan in Mexico caring for a sickly grandmother and
fending off his greedy uncle. When granny kicks the bucket, Carlos finally sets out
to cross the border and join mom in the City of Angels.
The child's obstacles amount to a string of poorly-written, obvious clich�s that
litter the road many travel from Mexico City to the southern United States. Screenwriter
Ligiah Villalobos peppers Carlos with broadly drawn, grotesque (and, of course, non-M
exican) villains. Later she recruits Ugly Betty star America Ferrera for a ham-fisted
confrontation at a border checkpoint. Why is it people smuggling immigrants into
our country always are told they can proceed, only to be stopped seconds before crossing
safely for a broken taillight or an expired registration?
Moon tells a glossy version of immigration, where surly (but kindhearted) vagabonds
shepherd scared children to their mother's waiting arms. Moon is so safe it's dull,
so predictable it's toothless, and so corny it's insulting.
Aka La Misma luna.
Anyone hiring a director?
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